Pepper’s Musical Revolution,” premiering June 3 and hosted by composer, music historian and documentarian Howard Goodall.
Pepper” 50 th with a new documentary, “Sgt. “What really struck me is that the Beatles intended to be perfectionists on this record.” ‘What does this music say today?’ Not to sound overly dramatic or corny, but in a lot of ways it was like hearing the record for the first time. rock station KLOS-FM (and just expanded with a daily edition for SiriusXM satellite radio’s new all-Beatles Channel 18), says: “In general, I was blown away. But there’s a way to get the best of both worlds.”įeedback on the new mix has been “almost humiliatingly positive,” Martin said.Ĭhris Carter, host of the long-running “Breakfast With the Beatles” radio show on L.A. No one can say the stereo mix is not a great-sounding record. “There is immersion that comes from the depth they put in there, even though it is just coming out of one speaker. “There is a thing about the mono mix,” Martin said. Just how quickly? George Martin and the Beatles spent about three weeks mixing the mono version its stereo counterpart was completed in barely two days. In part that’s because the group’s vocals are often divorced from the instrumental accompaniment, separated in different channels of the original stereo mix because that was how engineers charged with creating that version could get the job done quickly. Pepper” stereo mix was better known in the U.S., Lennon once famously stated, “You haven’t heard ‘Pepper’ until you’ve heard the mono version.” Stereo counterparts often were created hastily for the U.S.
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